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Child's Play: Diane Tidswell
Ballad: Avigail Ben Ari, Rob Fleming
Stone Figures: Brigit Jackson, Julie Barnsley, Jayne Lee, Stewart Arnold
Fugue: Jayne Lee, Swee Ho Lim
Songs of Innocence: Philip Johnston, Angela Robinson
Poetische Skizzen: Angele Kaizer, Ricardo de Barelli, Helen Poon, Duncan Glasse
Rebel: Joan Davis, Ruth Way, Loretta Yurick
Dreams: Avigail Ben Ari, Sonja Riket, Corinne Bougarde
Conjurer: Norman Douglas, Dario Zucotti
Helix: Brigit Jackson, David Armstrong
Andante Amoroso: Stewart Arnold, Serena Ward
Tiger Soul: Michael Small, Lizie Saunderson, Jayne Lee, Anita Griffin
Haikus: Jacques Broquet, Julie Barnsley
The Vault: Jayne Lee
Breaking Strings: Lizie Saunderson, Philippe Giraudeau
Small Dances:Brigit Jackson. Michelle Lamb, Jayne Lee
Dragons Ascending: Christopher Bannerman, Anita Griffin, Darshan Singh Buller, Jayne Lee
Helix: Angela Robinson, Lloyd Newson
Tiger Soul: Anita Griffin, Lizie Saunderson, Jayne Lee

 

This website is a record of Ingegerd Lönnroth’s choregraphy – a twenty-year period of intense activity running from the early 70s to the early 90s.  Thirty-five dances are recorded using selective still photos and extracts from filmed rehearsals and live performances.

This site is more than just a record of Ingegerd’s choreography, it is a significant collection of dance photography by some of the principal dance photographers of this period: Dee Conway and Clive Boursnell to name just two.

Some of the material has been lying untouched for more than thirty years, which gives rise to a number of problems – in particular, the remembrance of dates and the correct names of all of the dancers, musicians, costume designers, set designers and everyone else that played a part.  Wherever possible, original programmes have been combed for detail.  Apologies must though be offered for any misspelled names, omissions or any other obvious factual errors.

A further problem is the fact that most of the dances were recorded on video formats that have long since disappeared.  It is an ongoing activity to digitise as much of the original analogue archive as possible and to upload extracts to the site and also to YouTube and Vimeo.

The twenty years that this record covers is also a memory of a life focused on The Place.  Many of the works had their premiers there.  Most of the dancers and musicians mentioned here have some association with The Place – and many will remember first-night performances followed by drinks at Mabels and then probably a meal in a Camden Town Greek restaurant.

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